Vertical Alignment

I’ve finished another quick video tutorial, this one is about vertical alignment in stereo shots. It’s done with Fusion but this technique requires no plugins and can even be done in Photoshop 🙂

• Download annotated comp and images (zip)

I have enabled Youtube’s automatic transcript just for the fun of it. It used speech recognition and it’s funny how some phrases are transcribed perfectly despite my German accent while others are jibberish. You can download the subtitle file though and it only takes a few minutes to edit the transcript and re-upload it again.

So enjoy the English captions on this tutorial! Here are some funny phrases that Google’s voice recognition software had produced initially:

0:00:09.809,0:00:14.019
as you probably know there are lots of things that can give the bureaucratic when it comes to stereoscopic footage

0:00:14.019,0:00:17.960
the most important one is spiritual alignment

0:01:05.239,0:01:07.340
the monogram version wants it

0:01:20.080,0:01:22.230
his foreign troops of the ride i

0:01:35.240,0:01:38.929
since the transform which is his offspring you have to hold down the
aisle to key while driving the mention of your porch

0:02:48.259,0:02:55.259
now zoom back into the top left corner and adjust the anglo french haitian

0:02:57.629,0:03:01.020
using the cursor keys left and right then
you can get justice in smaller steps

You tell 'em, Sly!

Multiple Camera Projections in Fusion

Made another video tutorial about combining projections from multiple cameras. Enjoy 🙂

Also, check out my script to quickly align image planes to points in a point cloud and my latest tutorial about camera projection workflows.

eyeon Dimension

eyeon has finally shown a short teaser for “Dimension”, their “Occula-for-Fusion” plugin. Looks promising so far. Most importantly, the price tag undercuts Occula by thousands of dollars which makes it feasible for smaller production companies as well. Let’s wait and see – competition is good 🙂

And Generation is back from the dead (read: a year after it was end-of-lifed by eyeon without further explanation). It has gained a lot of asset management and workflow functionality (shot status, artist collaboration, reviews). Having worked with Shotgun recently, I have to say that Generation’s shot management from a player interface sounds intriguing. Shotgun is a slow browser-based behemoth with millions of clickable links that all look alike. I don’t know if it was built that way or if it was that company’s customization… But it seemed overkill for most problems that an artist has (might be a different story for project managers).

Fusion 6.3 will be half as expensive as before and if you add Dimension and Generation AM you’ll end up with the former price.

None of these tools is shipping yet though.

Compositing Tutorial Part 1

Hey, I’ve finally found the time to finish another video tutorial. Check out the new tutorial section on this site for the details. The first video is about fixing a jittery camera track in post by smoothing and tweaking the camera move. Videos are hosted on Youtube and all the footage and files are available for download.

• Download proxy footage and project files (4.3MB zip)

I’d like to make this the start of a series of advanced tutorials about actual compositing problems since most stuff out there either comes with a price tag (FXPHD) or shows off stuff where the “wow”-effect is due to excellent CGI and matte paintings while the compositing part is basically just “A over B” and some roto.

There’s always a problem of showing off stuff I’ve worked on because of legal issues. So I’ll demonstrate some techniques on footage I’ve created from scratch and hereby release under a creative commons license so you can play around with it yourself.

A Capella To The Future

Sand Storm Reference Footage

You can rip the HD footage using savevideo.me!

Mega Python vs Gatoroid

From the makers of Mega Piranha – a movie so bad it’s good – comes Mega Python vs Gatoroid. And this time, they have rushed past the mark and have produced a film so bad it stinks. Of course, there’s some laughs here and there. But the vfx are a step back from Mega Piranha and the sudden location jumps (inside car: city highway – cut to wide angle – we’re in the Everglades) and the bad dialogue become unbearable. It’s apparent that the filmmakers didn’t care anymore halfway through the film.

Mega Piranha’s idiotic plot at least was fast-paced and focused on the monsters getting bigger and bigger in every scene. It didn’t get side-tracked by pie fights between two actresses. It didn’t contain a musical montage with a Euro-dance song. It didn’t give the main character lines like “We’re feeding steroids to crocodiles. What could possibly go wrong?”.